Braun, H.-J. and Symposium ICOHTEC (2002) Music and technology in the twentieth century. Baltimore: John Hopkins University Press.
Collins, N. and Escrivan Rincón, J. d’ (no date) The Cambridge Companion to Electronic Music (2nd edition). Cambridge: Cambridge University Press. Available at: https://doi.org/10.1017/9781316459874.
Collins, N., Schedel, M. and Wilson, S. (2013) Electronic music. Cambridge: Cambridge University Press.
Cook, P.R. (2001) Music, cognition, and computerized sound: an introduction to psychoacoustics. 1st MIT Press pbk. ed. Cambridge, Mass: MIT Press.
Cox, C. and Warner, D. (2004) Audio culture: readings in modern music. New York: Continuum.
Deutsch, D. (2013) The psychology of music. Third edition. Oxford: Academic. Available at: https://www.sciencedirect.com/book/9780123814609/the-psychology-of-music.
Heifetz, R.J. (1989) On the wires of our nerves: the art of electroacoustic music. Lewisburg: Bucknell University Press.
Katz, M. (2010) Capturing sound: how technology has changed music. Rev. ed. Berkeley, Calif: University of California Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=579794.
Kivy, P. (1989) Sound sentiment: an essay on the musical emotions, including the complete text of The corded shell. Philadelphia: Temple University Press.
Levitin, D.J. (2007) This is your brain on music: understanding a human obsession. London: Atlantic.
Manning, P. (2013) Electronic and computer music. 4th ed. New York: Oxford University Press.
McLeod, K. and DiCola, P. (2011) Creative license: the law and culture of digital sampling. Durham [NC]: Duke University Press.
Milner, G. (2010) Perfecting sound forever: the story of recorded music. Pbk. ed. London: Granta.
Pinch, T.J., Trocco, F., and ebrary, Inc (2002) Analog days: the invention and impact of the Moog synthesizer. Cambridge, MA: Harvard University Press. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=3300076.
Prendergast, M.J. (2000) The ambient century: from Mahler to trance, the evolution of sound in the electronic age. London: Bloomsbury.
Ross, A. (2011) Listen to this. London: Fourth Estate.
Ross, A. (2012) The rest is noise: listening to the twentieth century. London: Fourth Estate.
Russolo, L. and Pratella, F.B. (2012) The art of noise: destruction of music by futurist machines. [S.l.]: Sun Vision Press.
Schaeffer, P., North, C. and Dack, J. (2012) In search of a concrete music. Berkeley, Calif: University of California Press.
Sethares, W.A. (2005) Tuning, timbre, spectrum, scale. 2nd ed. London: Springer. Available at: https://ebookcentral.proquest.com/lib/nottingham/detail.action?docID=303730.
Shapiro, P. (2000) Modulations: a history of electronic music, throbbing words on sound. New York: Caipirinha Productions.
Toop, D. (2001) Ocean of sound: aether talk, ambient sound and imaginary worlds. London: Serpent’s Tail.